Take Me Out To The Ballgame
Fenway Park in HDR, 17mm, f/13, 3-exp, ISO 100
Here’s another view of Fenway Park which I processed as an HDR. I took a bunch of pictures around the place a few weeks ago and am only now getting around to looking at most of them. The back of the scoreboard provides a nice main subject IMO. Ideally I would have gotten the foreground people at full height (i.e. head-to-toe) in these shots but my lens wasn’t capable of that at this tripod height (and I didn’t like the perspective with the tripod all the way down near the ground). I took lots of exposures (range of 7-9 stops…can’t remember) but only used three of them for this image. Why only three? Because I don’t mind a few blown-out highlights where “appropriate” and I certainly don’t mind shadows without detail. In fact, my number one criticism of HDRs is that many people process them in a way which brings out far too much detail in the shadows and eliminates too many of the blacks.
Processing…After running the three exposures through Nik HDR Efex Pro I brought the image into Photoshop with the three original exposures. I only ended up using two exposures: One for partially blending in the sky to help keep the colors reasonable-ish and the other one was masked in for the street and people (after an exposure tweak). As always I used several masked curves adjustment layers (in luminosity blend mode because this image had plenty of color saturation already). The jet contrail bugs me but I’d make a mess of it if I tried to clone it out. Since I was standing below the sign and using a wide-angle lens the perspective (tilt on the sides) was rather extreme. A quick free transform was used to stretch out the top corners of the image somewhat. I didn’t attempt to eliminate all the distortion of course. After this type of stretching with a free transform, the height of things (the people in particular) gets a bit squashed so I used a reverse crop and another free transform to stretch the image vertically and bring the people back to normal. Maybe I’ll do a poor-man’s tutorial (the only kind I have the skills for) showing those steps in an upcoming post.
2011 NCAA Volleyball Championship
My daughters and I can’t wait for NCAA volleyball to start…
At most sporting events I’m in attendance because I want to *watch* the event. I’m always tempted to carry my camera with me but I generally leave it at home so I’m not distracted. When I attended the semi-finals of the NCAA volleyball championship this past December I left my camera behind. However, when I saw that fans were allowed to carry in any camera/lens combo they wanted, I decided to take my camera and 70-200mm f/2.8L IS to the championship match and at least take a few pictures.
While warm ups were going on I experimented a bit with settings. When shooting any fast-action sport one is generally trying to freeze the action (there are exceptions to this of course). If you don’t use a relatively fast shutter speed you have no chance of getting a decent photo of a hard kill for instance — unless your goal is to turn the ball into a blur that you can hardly see in the frame. Manual mode is pretty much a given in a venue like the Alamodome as the light never changes and being very well-lit a fast shutter speed is possible (the gym where my daughters play is not so well-lit and a really fast shutter speed isn’t possible) . For shots of the action on the court I settled on using manual mode with 1/750s to 1/1000s shutter, f/2.8 aperture, and ISO 2000. Generally the only time you vary your exposure is if you are taking shots of the crowd as opposed to the court (the crowd near the court was lit a stop or so less than the court).
I was able to convince the elevator operator to allow me and my son upstairs to the skybox area so we could take some pictures from a different perspective. While there, a pro photog plopped down two seats away from us and we got to chatting a bit. I asked him what settings he typically used in the stadium and they were 1/1250s, f/2.8, ISO 2500 — not far off what I was shooting. He said my settings were fine for the lens I was using (70-200mm) but he wanted that slightly faster shutter because he was using a 400mm lens and needed some help compensating for lens movement. We talked about depth of field (DOF) a bit too. Up in the balcony we were maybe 200 feet from the net which gave him a DOF of approximately 10-12 feet (depends on the camera body…he had one of the Canon 1D bodies I’m sure). That really required accurate focus — if he accidentally focused on a back row the action *at* the net would be out of focus. When I shot at 200mm, I had a great DOF of about 52 feet to work with.
My 5D mkii has great high ISO performance which is nice for these sporting events but one huge deficiency is its (relatively) low frame rate — not so great for sports. I was kind of jealous of the pro as he machine-gunned frames when a kill was imminent. Of course, the slow frame rate cuts down on the number of images I need to go through in post 🙂
The Kiddos…
Michael Tuuk Photography 