Posts tagged “mass

Harbor Hotel At Rowes Wharf

Harbor Hotel Entrance 17mm, f/8, 5 exposures, ISO 100

Sometimes a wide-angle lens isn’t quite wide enough.  I took this shot at the wide end of my 17-40mm lens and it just couldn’t capture it all.  The entrance to this hotel is amazing and is visible from across Boston Harbor (see here).

I used 5 exposures to make this HDR but I honestly could have gotten by with only two or three.  As always I wasn’t trying to eliminate the shadows by using HDR but rather attempting to bring out some depth and tone down some highlights.  Notice that the building on the left out by the harbor just disappears into shadow — that’s how it should be as it really looks that way.  I used Nik HDR Efex Pro to create the starting image, then used a dark exposure to tone down a few of the bright lights.  There was a bit of masking for the couple standing near the left, a couple of tonemapping artifacts fixed up, and basic contrast adjustments.  One thing that bothers me a little is how the lights near the left doorway have quite a green tone while the lights on the right are rather white (I’m a poet and didn’t even know it).  I decided not to balance them out — for whatever reason that’s just the way they were (see original exposure below).

One of the Original Exposures



Honda 30mm, f/7.1

I’m making arrangements for another trip to Boston and it put in mind some of the photos I took on my last trip.  While taking this photo of the Boston Skyline, a young couple pulled up on a motorcycle, parked it, and walked off to enjoy the view of the skyline across Boston Harbor.  The bike had all sorts of accessory lights which cast a deep reddish-orange glow around it (see below but note the white balance isn’t quite right on the color version).  I took some photos of it and generated this B+W HDR.  There was a bit of noise in the result…I left it in, I kind of like it.



I was headed to my trolley tour stop in Boston when I spotted this picture.  Sun peeking from behind the building, moderate interest in the sky, sky and cloud reflections in the windows of the tall building, and dappled reflections of light in the short one.  As I took the shot I got a bonus lens flare and guy crossing the street.  It’s not an *amazing* scene, but pleasant enough IMO.

This is an HDR and naturally it bugs me that there’s a slight halo around that tall skyscraper.  The thing is, that halo is present in the original exposures too.  Despite the fact that there will be those who attribute the halo effect to “bad HDR”, I decided to leave it as is.  For those of you interested in one method of fixing this (particularly in difficult, detailed scenes), see Dave Wilson’s handy tips here.

The bright portion of the street (and the guy walking across) were masked in from a single exposure.  That exposure (fast shutter speed to freeze his motion somewhat) was tweaked a bit to match the scene as I saw fit.  Given that it was a bright, sunny day I wanted it to still look “bright” and I wanted the portion of the street at the left to remain in shadow.  One could argue that I should have used a slower shutter speed to show his motion but that’s simply a matter of personal preference — neither one is more correct than the other IMO.  Various curves were masked in all over the place as usual.

One If By Land, Two If By Sea

All I could think of when I saw these two conversing on the street in Boston: “One if by land, two if by sea! C’mon, lady, how hard can this be to remember?!” Heavily cropped, but not much processing on this photo otherwise.

Thickly Settled

iPhone shot…no idea what the settings were.

In the burbs around Boston I occasionally came across a “Thickly Settled” street sign.  It struck me as rather funny and while I expected that it had something to do with it being a more crowded residential area, it really was meaningless.  After all, I could see with my own eyes that I was in a residential neighborhood.

I looked it up and found all sorts of humorous comments about this and other street signs.  “Slow Children” elicited a comment along the lines of “When I see a Slow Children sign I always wonder how all the slow children all ended up living in one neighborhood.”  The best I can gather (I did not bother to dig into the MA government sites to verify this) is that the Thickly Settled sign is an indication to observe a speed limit of 30 mph even if it is not posted.  I’m not entirely sure why they don’t just post the speed limit itself if they’re going to bother with putting up a sign at all.  Maybe I’m wrong about all this…

On a semi-random note, I’ll give a shout out to Enterprise Car Rental since you can (barely) see the hood of my rental in the picture above.  I typically rent from Hertz through my company.  I have Hertz #1 Gold which allows me to bypass the rental car checkin. Having #1 Gold means I just show up in the Hertz garage, find my name and parking spot on the display, and the car is waiting in that parking spot with the keys and paperwork in it, ready to go.  Pretty convenient.  This time my admin set me up with Enterprise which was only $17 per day for an “intermediate” car.  I arrived at the Enterprise counter in Boston sometime around midnight and after checking in asked if I had any choices regarding cars.  The agent asked what I drive at home — a 4×4 crew cab pickup truck. Upon hearing that she said that since it was midnight I could pick anything in the lot at the $17 price, but mentioned that the sweet, black 2012 Chevy Tahoe might be best suited to my tastes.  True enough…nice!  Especially nice because I had added some personal time to my trip and was paying some of the days out of my pocket.  I’ll pay $17 a day for a new Tahoe anytime.

Take Me Out To The Ballgame

Fenway Park in HDR, 17mm, f/13, 3-exp, ISO 100

Here’s another view of Fenway Park which I processed as an HDR.  I took a bunch of pictures around the place a few weeks ago and am only now getting around to looking at most of them.  The back of the scoreboard provides a nice main subject IMO.  Ideally I would have gotten the foreground people at full height (i.e. head-to-toe) in these shots but my lens wasn’t capable of that at this tripod height (and I didn’t like the perspective with the tripod all the way down near the ground). I took lots of exposures (range of 7-9 stops…can’t remember) but only used three of them for this image.  Why only three?  Because I don’t mind a few blown-out highlights where “appropriate” and I certainly don’t mind shadows without detail.  In fact, my number one criticism of HDRs is that many people process them in a way which brings out far too much detail in the shadows and eliminates too many of the blacks.

Processing…After running the three exposures through Nik HDR Efex Pro I brought the image into Photoshop with the three original exposures.  I only ended up using two exposures: One for partially blending in the sky to help keep the colors reasonable-ish and the other one was masked in for the street and people (after an exposure tweak).  As always I used several masked curves adjustment layers (in luminosity blend mode because this image had plenty of color saturation already).  The jet contrail bugs me but I’d make a mess of it if I tried to clone it out.  Since I was standing below the sign and using a wide-angle lens the perspective (tilt on the sides) was rather extreme.  A quick free transform was used to stretch out the top corners of the image somewhat.  I didn’t attempt to eliminate all the distortion of course.  After this type of stretching with a free transform, the height of things (the people in particular) gets a bit squashed so I used a reverse crop and another free transform to stretch the image vertically and bring the people back to normal.  Maybe I’ll do a poor-man’s tutorial (the only kind I have the skills for) showing those steps in an upcoming post.

Chadwick Lead Works

Chadwick Lead Works 5-frame panorama

This building, in the heart of downtown Boston amidst very modern skyscrapers, was once the home of Chadwick Lead Works (obviously).  Given that it was built in 1887 it was amazing (and rather charming) to see it standing in a modern downtown area.

This shot is a panoramic stitch of five frames taken from the sidewalk across the street.  I would shoot one frame then move down the sidewalk a bit to take the next shot.  Having been stitched from several frames you can zoom in and see quite a bit of detail (click the image to get to flickr where you can view the larger size).

Boston Skyline…Blue Hour

Boston Skyline At Blue Hour 23mm, f/8, 6 exp, ISO 100

Last weekend, after spending the day touring Boston, I walked across the pedestrian bridge (near the left side of the above image) next to Seaport Blvd which connects downtown to the old seaport district.  The bridge is part of the South Bay Harbor Trail.  I stopped for dinner and waited for the sun to set behind the city.  As I neared this photo spot I found that four photographers were already sitting there — tripods and cameras already set up.  I walked toward them and without a word stopped 10′ in front of them and pretended to set up my tripod.  Silence.  After a few seconds I turned and said I was just kidding and relieved laughter set in.  I asked if it was OK to set up just behind them and they were nice enough to extend an offer to make room in the middle of them if I wanted (I just set up behind and above them).

My intent was to bracket a bunch of exposures as it got darker using f/22 to get a starburst effect.  I switched to f/8 because (1) I really wasn’t getting much of that effect, (2) f/8 is good and sharp, and (3) my exposures were getting longer than 30 seconds and I was too lazy to start timing the exposures manually even though I was using a remote 🙂  White balance was set to daylight.  That’s somewhat arbitrary since I always shoot in RAW but it helps keep things consistent when viewed in the LCD.  I included a couple of straight-out-of-the-camera exposures below so you can see a sample of what I was working with.

On my flight home I plugged six exposures into Nik HDR Efex Pro.  My personal default is to use the realistic-subtle preset as a starting point 99% of the time and I tweak a bit in Nik.  Tweaking and saving complete, I took the Nik output into Photoshop along with a couple of the darker exposures and masked in a few spots which were still over-exposed after the HDR junk.  I toned down the colors in the water and burned the sidewalk darker a bit (more on the dodging and burning below).  Relative to colors, I did want an “HDR look” to this image but I sometimes find the reflections and colors on the water to be a bit overdone for my taste in these skyline shots.  I also dropped the overall saturation by 20 points to bring it back to realistic colors as tools like Nik HDR Efex Pro and Photomatix tend to saturate everything a lot.

Finally, since the perspective wasn’t too bad I decided to fix it by stretching out the top corners a bit and aligning the buildings with rulers to make them more upright on the edges (the SOOC images above do not have that correction).  If you do too big of an edit like this it can degrade the image but it’s fine for this one.  The final image turned out crisp and sharp at high resolution.

This screenshot shows my dodging and burning layer.  A trick I learned watching a Joe Brady video (something about Photoshop for landscapes sponsored by Xrite) is to create a new layer, fill it with 50% gray, then dodge and burn on that with black/white.  There’s no real need for that but the layer gives you a visual to show where you’re doing your adjustments.

Where Everybody Knows Your Name

Cheers! 17mm, f/10, 6 exp, ISO 100

Had lunch at the basement bar in Cheers on Beacon Street in Boston — the inspiration for the TV show and the place you see when they would show the outside shots.  It was a tiny little place and spots at the bar were coveted but I happened to come in at just the right time to get a spot.  There was also an upstairs bar which mimics the set of the show but frankly the room had none of the feel of what the show looked like…not very impressive.  Downstairs was the place to be.  While waiting for my food I set the camera on the bar and fired off some brackets.  Even though I used f/10 the DOF is really shallow due to the close focus distance.  I didn’t want super long shutter times given the movement of the bartender and the people seated on the other side.  f/10 was a decent balance (I shot brackets at f/4 and f/22 also and later picked what I liked the best).

In the gift shop they had this infant onesy.  Pretty funny when you think of the words to the theme song.

Scenes at Fenway Park

Bitter Rivals 27mm, f/5.6, 1/400s, ISO 800

While I’m still wallowing in sorrow over the Red Sox / Yankees game getting rained out — the game for which I held a ticket for a seat behind home plate — you’ll have to suffer through more Fenway Park pictures.  On my trolley tour of Boston one of the stops was Fenway so I spent a bit of time taking pictures and watching people as they gathered for Saturday’s game.  I had tried getting tickets for this game but it was sold out.

I asked the guys above if I could take their picture together and they obliged with commentary on how they didn’t like each other.  The guy on the left (jokingly) wanted to make sure his picture wasn’t going to be on the cover of Guns and Ammo — he didn’t want the government putting him under surveillance.  The vendor below also willingly allowed himself to be included in the shot of his wares.

Fenway Vendor 24mm, f/4, 1/1000s, ISO 800

For the shot of the crowds on Yawkey Way I put the camera on a 2-second self-timer and held it up high by lifting my tripod high overhead. After 4-5 tries I ended up with a decent perspective.

Yawkey Way Crowd 23mm, f/10, 1/640s, ISO 800

On the day of my scheduled game I stopped by the park again and found an open gate.  I later learned — after being educated by the nice security guard who asked me to leave — that it was open in order to let a tour exit the park.  The guard (he really was nice about it) did agree to let me walk to the nearest entrance to the stands and snap a few pictures.  It wasn’t a great photo spot and the rain was starting to really come down but I took what I could get.  The thick white line at the opposite end of the field is the infield tarp.  They were just getting it out to cover the field when I arrived.

Rainy Day at Fenway Park 17mm, f.6.3, 1/640s, ISO 400