I’m headed to Seattle next week and that put this picture in mind (a rerun on the blog). During our last Seattle trip the weather consisted of cold temperatures (50-ish) with rain — *every* day. The sun partially peaked out *one* afternoon for a couple hours. The picture above is a good reflection of that I think. To be fair, we knew in advance that the weather would stink that time of year but visiting family (with 3 new babies among us) was worth it and we had a great time. I have hopes of someday getting a clear-weather shot from Kerry Park with Mt. Rainier in the background but it’s not likely to happen next week as I doubt there will be much time for photographic adventures. In fact, I might not even pack more than the camera body, a single lens, and a flash (for the baby snapshots of course). We’ll see though — my tripod might sneak into the luggage.
Aside from a family photo shoot a couple of weeks ago (which I’ve been asked not to post online) I haven’t taken any pictures. Work at “work”, work at home, and family this and that have consumed all my time. That’s not a bad thing necessarily — those are the right priorities — but I hope to get out shooting sometime soon.
Stairway to nowhere…looks kind of eerie down there. HDR of an outdoor staircase in Snohomish, WA. One of many random(ish) shots I took while my wife was enjoying a massage in town. In keeping with my view that many HDR guys (and gals) go too far and bring out too much detail in the shadows, I tried to process just enough to give a sense of what’s down there without bringing it out completely.
A recent picture of two of my girls strolling in Seattle’s Pike Place Market. Looking forward to getting back to Seattle soon.
I loved the contrast between the blues in the windows and the oranges/yellows in the flowers in the next shot.
I liked the possibilities in the next shot but didn’t execute it very well. The water and buildings made a cool backdrop through the windows IMO. I used manual mode and stopped down to f/14 to get a lot of depth of field and used a shutter speed fast enough for my shaky handholding yet slow enough for flash. It was a dark place relative to all the light streaming in the windows so flash was a must if I was going to keep the rainy mood in the background. I had no way to get the flash off-camera and bouncing didn’t work well so it’s not a lot better than a point-and-shoot. I’m sure I could have improved it with some effort but I didn’t want to stretch the girls’ patience too thin.
This sign just cracked me up. Driving in Redmond, Washington almost two months ago I came across this doctored sign and without the iPhone camera handy I wouldn’t have been able to share it with you. I’m not a big fan of iPhone photography necessarily. It’s a fine camera but I’m not enamored with it to the point some seem to be and it’s frankly a pain not to have control of the various settings most of the time. That said, in a pinch it’s very handy to have around. The only edit was a crop done in one of my iPhone photo apps (don’t remember which).
On a recent trip to Seattle my daughters and I paid a visit to the first Starbucks. I’m not usually very interested in something like this but thought, “Hey, we were right here so we might as well do it.”. While the place isn’t that interesting or unique when viewed as just bricks and mortar it becomes a bit more when you think of what Starbucks has become. This location also operates in a different manner than your typical Starbucks — and that gives the place some charm. Upon entering the door an employee welcomes you, inquires where you are from, and directs you to the next available person to take your order. Once your order is taken, your cup is tossed across the room to the barista. We witnessed a couple of misses…maybe they were rookies. They were all having fun though.
Of course I had to take a few pictures. Using my 50mm @ f/1.4, I quickly figured out an exposure and fired away. There were a lot of people so I limited my shots a bit. For the image at the top my hope was to frame the counter, barista, the neon “Espresso…Cappuccino” sign, and Starbucks sign such that they were all completely readable but I never quite got it. Unlike some photographers, I’m not willing to sit there in everyone’s way, holding up the crowd, etc. just for my shot…just not that important to me. I could have waited for an opportunity but when I’m hanging with non-photographers (especially family) I try not to push their patience *too* much by spending all day taking pictures.
I processed the image at the top with the intent to make it look rather vintage and I added some grain to top it off. The rest were straightforward edits — basic tweaks.
“If you own a house which faces west on an island in the Indian Ocean and your youngest sibling is left-handed and your primary vehicle is white, then subtract line 21 from line 13, multiply by 0.285, subtract your latitude and longitude and enter the result on line 85.” What’s that got to do with anything? I just did my income taxes and it seems like half the directions are as nonsensical as the one above. So, I’m just venting…our tax code is too complex and MESSED UP. It doesn’t matter what political party affiliation you claim, whether you think the system is fair or unfair, or you think the rich should pay more or less — I don’t see how anyone could disagree that it’s a mess. Solutions? I don’t get into those kinds of debates online 🙂
In a previous post I showed a bokeh panorama (or “bokehrama”) from the same place the above picture was taken. The one above was a quick snapshot as we packed up to get out of the rain. I hadn’t planned on doing much with it but as I continued to see it among my photos it grew on me — I like the overall gloomy mood contrasted with the random colors of the skyscraper windows for example. Having a bit of detail and drama in the clouds helps too and I don’t think I would like it as much if the skies had been a flat gray.
This image is from a single frame captured with a 50mm lens. You may note the odd settings used — not typical for a landscape shot. The fact of the matter is that I had just used roughly the same settings for the panorama I linked to above. For this skyline image I sped up the shutter one stop with a flick of the dial (didn’t need quite the length of exposure that I needed for my daughter’s dark skin) and snapped this quickly so we could get going. Something like f/8 would’ve been sharper, etc. but there was no time to worry about that stuff. I cropped to a more panoramic aspect ratio (and cropped out another visitor to the park who was in the left side of my frame) then processed mainly with a bunch of curves and masks to selectively adjust contrast. I tweaked the white balance a bit to move from a completely black and white cast toward having a wee bit of warmth.
My daughters and I went to downtown Seattle today to hang out and on the way we stopped in Kerry Park (thanks, Jim Nix for suggesting it). I had low expectations regarding the weather but did hope to grab a skyline panorama in any case. Long story short, the rains came and other visitors got in the way somewhat so all I managed was the quick, handheld bokeh panorama (from 16 frames) shown above. I look at it as making lemonade out of lemons — we did what we could given the conditions. I gave up on my plans for a high-res (zoomed in and in-focus) panorama since the rain was hard and blowing directly on to the lens. We headed to lunch at Pike Place Market and afterward the clouds broke and the sun peeked out. We headed back to Kerry Park on our way back home but by the time we got there it was raining hard again — could barely even see across the water. I didn’t bother trying any more photos. I may try some black and white treatments with this one someday…
We played in the snow today — quite a change from the warm, Texas weather. While I have no interest in living in a snowy climate again I do enjoy getting in the snow every once in a while. I took five of my children up to Stevens Pass in Washington for the express purpose of playing in the snow. There has been all sorts of snow up there in the past few days so we knew it would be fun. Things looked even better when it began snowing in the Seattle area before we even left the house.
After getting all wet and cold we headed back down the mountain and explored some side roads to enjoy the scenery. At one spot my daughter (the one in the picture above) pointed out a spot she thought would be nice for a group photo (below). At another nearby spot she asked me to take a few pictures of her in front of a bridge and the snow-covered trees (no one else wanted to get out of the car again).
Photo stuff…In the group photo below you can see the snow falling in front of our faces — we wanted to show the extent of the falling snow. However, in the individual shots we wanted to avoid the snow in the face and found a space under some trees which allowed that. However, it was so dark that we had to add some flash into the mix (no gels used). With the others waiting in the car I didn’t spend much time perfecting things but we like what we got.
The odd composition above came from just moving around trying different things out. I don’t like it…but my daughter does so I’m posting that one.
Just plain cute. I grabbed this while my wife and her sister were trying to get our youngest to smile for the iPhone. Sometimes these are the best pictures.
Since this is supposed to be a photography blog I can’t leave out the processing…I hit the “Auto” button and did a couple other minor tweaks in Lightroom. Manual mode, flash bounced off the wall behind the camera.
Last month some of my family attended the wedding of my niece Jessica in Seattle. We would love to take the whole family to events like that but it’s just not practical in our case. The weather was what one might expect in Seattle — highs around 50 and wet.
I was asked to do some photography during the times when the paid photographer wasn’t around — rehearsal, early wedding morning — and grab a few extra pics at the reception. I had just acquired a Canon 5D Mark ii the day before we traveled and I got to try out its capabilities over the weekend. It has amazing low-light performance and I took full advantage of that.
Here are some pics from the weekend (here’s a link to one I already posted of the rings resting in the flowers). Some are just OK from a technical standpoint but are personally meaningful or interesting to our family.
The shot below was meant to focus on the ring (and it does) but it isn’t the greatest shot. However, I still like the general feel of it — soft light, very shallow depth of field so I included it. It was taken in passing as I wasn’t focused on taking pictures at that point. I’d love to have that opportunity again though. I’d get the ring hand fully in the shot, shoot from slightly higher to entirely fill the background with Jessica’s to-do list on the poster board while keeping the nail polish bottle fully in the frame as in this shot.
Some pics from the rehearsal:
The wedding coordinator was concerned that the main photog wouldn’t arrive at the house early enough to get pictures of the miscellany like the rings, flower, shoes, etc. so she asked me to get some shots. Here are a few I came away with besides the ring shot:
Pre-wedding pictures in church:
After the ceremony the wedding coordinator again commandeered me for a photo assignment. The hired photog was covering the bride and groom’s trip through the receiving line from a vantage point near the church doors. I was asked to cover near the end of the line and I’m glad I did — look at how happy they are!
During the reception I didn’t capture all that many shots but here are a few. Light was challenging in the reception hall. Bouncing flash was not that great (note the black ceilings) and I didn’t have 3 remote flashes on stands like the hired photog did. I still like the shots even with some of the shadows. I take comfort in knowing that there wasn’t a whole lot to be done without setting up extra lighting myself. I just kept a diffuser on the flash and pointed the flash either up and slightly forward or up and slightly behind me. As the night was winding down, Jessica asked me to take a picture of her with the bridesmaids up near the dance floor. I like how the light ended up just fine with the exception of how everyone’s hair disappears into the background. I didn’t have a second light to overcome that. When we walked to the front and lined up everyone and their brother got cameras out and started firing. Getting all the girls to look at me rather than the other cameras was a bit like herding cats. None of the shots had everyone looking normal so I just picked the best of the bunch.
A candid of my beautiful wife. When she finds out her picture is here I’ll probably be in trouble. She never reads my posts so please — none of you go telling her. She never needs to know 🙂
The main photog had already left the reception when Jessica and Jonathan were making their exit so once again the coordinator asked me to take shots. I had the 50mm lens on and there was no time to fetch my 24-70 or really test out the flash to adjust compensation. I’d prefer a little different framing but I was zoomed out (with my feet) as far back as I could get and I wanted to catch some of the flag waving too. I got off 4 frames as they walked out and they capture the moment just fine. There was very heavy tungsten lighting in this little hallway. My flash was gel’ed with a 1/4 CTO and I could get away with cooling the color temperature more but I decided not to eliminate it completely. It’s a dilemma I often struggle with — Whether to keep some of that uncorrected color in certain shots. It can be a nice effect sometimes.