A recent picture of two of my girls strolling in Seattle’s Pike Place Market. Looking forward to getting back to Seattle soon.
I loved the contrast between the blues in the windows and the oranges/yellows in the flowers in the next shot.
I liked the possibilities in the next shot but didn’t execute it very well. The water and buildings made a cool backdrop through the windows IMO. I used manual mode and stopped down to f/14 to get a lot of depth of field and used a shutter speed fast enough for my shaky handholding yet slow enough for flash. It was a dark place relative to all the light streaming in the windows so flash was a must if I was going to keep the rainy mood in the background. I had no way to get the flash off-camera and bouncing didn’t work well so it’s not a lot better than a point-and-shoot. I’m sure I could have improved it with some effort but I didn’t want to stretch the girls’ patience too thin.
Most of our family’s favorite pictures are candids like these. While at the dinner table our daughter was being cute as usual and the 50D was just sitting out from having been used for these pictures of a fawn. My 70-200mm lens was attached and while I was tempted to open all the way up to f/2.8 (love the bokeh) I stopped down to f/4.5 to keep a little more depth of field in the portraits. The toughest part, as always with a wriggling baby, was focusing on the eye and taking the shot before she moved out of the plane of focus — which was 2″ at the wide end of the lens with this body/lens combo @ f/4.5. I had mixed success but the shots we ended up with are fun. Exposure, contrast, vignette, and noise reduction in Lightroom…
I was revisiting some of my favorite photos recently — most of which don’t get shared because they aren’t worth much photographically speaking. I decided to share this one since it’s a good illustration of a semi-candid shot that one might not consider taking but ends up being a (personally) memorable shot. After opening all our presents on Christmas Eve morning we gathered all of us (minus the two out-of-town siblings and the baby who was sleeping), threw wrapping paper around, and snapped some photos. The setup was simple: camera on a tripod with on-camera flash bounced on the wall behind the camera. I have a remote but I just used the self-timer here. If I were trying to get the “ideal” shot I would have rearranged the room to allow a longer lens to be used and avoid the distortion from the wide-angle. I would have also lit up the background (simply by turning on lights in the other rooms) so it wasn’t so dark. I probably would’ve gotten out an umbrella or two and the remote triggers. However, I would have also annoyed everyone and made them impatient 🙂 In the end we got a fun picture that we all like.
Last Friday I walked past our kitchen window and was blinded by the light of the setting sun reflecting off the trampoline as my daughter was jumping. The backlighting also made for great highlights on my daughter’s nearly black hair (it’s that beautiful American Indian super-duper dark brown — and the brown really comes out when it’s backlit). I grabbed the camera and told her to keep jumping. I picked an exposure in manual mode and fired off 50 shots or so with the intention of posting something for #weareparents on google+. My son ended up in the g+ post (see here) last week so I decided to post the trampoline pics this week.
I wanted to include several “poses” in my image and set about to do that via clipping masks. I’ve played with clipping masks in the past — they’re easy — but I use them so infrequently that I always have to refresh my memory on how they work. I’ve posted some pictures below to illustrate a simple clipping mask. I started with a white background layer and a layer with a random image from my desktop (which happens to be a variation of HDR Tennis #18 which I modified via inverted curves to look rather nuclear:
Between those layers I inserted some text that said “Clipping Mask”:
My layers then look like this:
To use the text as a clipping mask, simply hold press option (alt on windows) and click on the line between the text and image layers. The result is this:
And the layers now appear like this:
Last month some of my family attended the wedding of my niece Jessica in Seattle. We would love to take the whole family to events like that but it’s just not practical in our case. The weather was what one might expect in Seattle — highs around 50 and wet.
I was asked to do some photography during the times when the paid photographer wasn’t around — rehearsal, early wedding morning — and grab a few extra pics at the reception. I had just acquired a Canon 5D Mark ii the day before we traveled and I got to try out its capabilities over the weekend. It has amazing low-light performance and I took full advantage of that.
Here are some pics from the weekend (here’s a link to one I already posted of the rings resting in the flowers). Some are just OK from a technical standpoint but are personally meaningful or interesting to our family.
The shot below was meant to focus on the ring (and it does) but it isn’t the greatest shot. However, I still like the general feel of it — soft light, very shallow depth of field so I included it. It was taken in passing as I wasn’t focused on taking pictures at that point. I’d love to have that opportunity again though. I’d get the ring hand fully in the shot, shoot from slightly higher to entirely fill the background with Jessica’s to-do list on the poster board while keeping the nail polish bottle fully in the frame as in this shot.
Some pics from the rehearsal:
The wedding coordinator was concerned that the main photog wouldn’t arrive at the house early enough to get pictures of the miscellany like the rings, flower, shoes, etc. so she asked me to get some shots. Here are a few I came away with besides the ring shot:
Pre-wedding pictures in church:
After the ceremony the wedding coordinator again commandeered me for a photo assignment. The hired photog was covering the bride and groom’s trip through the receiving line from a vantage point near the church doors. I was asked to cover near the end of the line and I’m glad I did — look at how happy they are!
During the reception I didn’t capture all that many shots but here are a few. Light was challenging in the reception hall. Bouncing flash was not that great (note the black ceilings) and I didn’t have 3 remote flashes on stands like the hired photog did. I still like the shots even with some of the shadows. I take comfort in knowing that there wasn’t a whole lot to be done without setting up extra lighting myself. I just kept a diffuser on the flash and pointed the flash either up and slightly forward or up and slightly behind me. As the night was winding down, Jessica asked me to take a picture of her with the bridesmaids up near the dance floor. I like how the light ended up just fine with the exception of how everyone’s hair disappears into the background. I didn’t have a second light to overcome that. When we walked to the front and lined up everyone and their brother got cameras out and started firing. Getting all the girls to look at me rather than the other cameras was a bit like herding cats. None of the shots had everyone looking normal so I just picked the best of the bunch.
A candid of my beautiful wife. When she finds out her picture is here I’ll probably be in trouble. She never reads my posts so please — none of you go telling her. She never needs to know 🙂
The main photog had already left the reception when Jessica and Jonathan were making their exit so once again the coordinator asked me to take shots. I had the 50mm lens on and there was no time to fetch my 24-70 or really test out the flash to adjust compensation. I’d prefer a little different framing but I was zoomed out (with my feet) as far back as I could get and I wanted to catch some of the flag waving too. I got off 4 frames as they walked out and they capture the moment just fine. There was very heavy tungsten lighting in this little hallway. My flash was gel’ed with a 1/4 CTO and I could get away with cooling the color temperature more but I decided not to eliminate it completely. It’s a dilemma I often struggle with — Whether to keep some of that uncorrected color in certain shots. It can be a nice effect sometimes.
My daughter watched someone’s children at our house tonight and while we were all playing around with them I decided to get the camera out and see if I could capture a few cute pictures for this girl’s mother. This little girl was entertaining me with the jack-in-the-box while I laid on my belly in front of her snapping pictures. This was a really cute shot but I ran into one problem. I was shooting with 50mm lens and an on-camera flash with a 1/4 CTO gel bounced up and slightly behind me. That setup was producing great images until I ended up in a spot on the floor near our (very) red recliners. The back of the recliner sloped back such that when I rolled up against it the flash pointed directly up into the red cloth. Well, that made for a VERY pink child — no recovering from that without a lot of work in post and I doubt that I could have actually pulled it off.
So, I decided to go B+W with the image and ended up finding a great Lightroom preset called “WOW Glow 10” which produced a grayscale image that was very pleasing. It was certainly better than I was coming up with doing my own B+W conversion with the channel mixer in Photoshop. I added some sharpening around the eyes, boosted contrast in the eyes with an s-curve, added a heavy vignette, a slight crop, and that was it. I have some ideas for improvement (I’ve been going through David Nightingale’s tutorials and have all sorts of ideas now) but IMO this is a great result for a 5-minute photo shoot and 5-minute edit. I’ll probably play around with some toning via curves when I get the chance but otherwise might just call this one done.