My family and I try to get to downtown Chicago every year and we almost always visit the Cloud Gate (aka “The Bean”) in Millennium Park. We take goofy pictures in the reflections and pictures of other people taking goofy pictures of themselves. The shot above was taken at the end of our last visit to Chicago. It was cold and rainy but we were prepared with jackets, umbrellas, and a rain cover for the camera bag. The forecast for the day was sunny and warm early, turning to cold and rainy in the afternoon and for once the weatherman was completely correct. The shots below were only taken 5-ish hours earlier in the day. I liked how the blown-out sky and top of the bean blend together in the last shot. Someday I’ll get through all the photos and post some of the goofy ones.
On a still day Austin’s Lady Bird Lake (still Town Lake to me) is a great spot to shoot the growing skyline (note yet another construction crane gracing the view) and get great reflections off the water. I met an out-of-town friend at Lou Neff Point this morning and was surprised to find that the lake was completely overgrown with a plant called Eurasian Water Milfoil. In hindsight I might have expected it as we had seen a lot of milfoil while kayaking on the lake recently but even then I wouldn’t have expected so much of it on the surface. Adding to the disappointment was that the forecast of “some clouds in the morning” wasn’t to be (until well after sunrise anyway).
Well, we were there and figured we might as well shoot some “stuff”. We fought off the mosquitos and fired away. I decided to shoot a panorama in order to increase the resolution a bit. I shot 3 frames — each bracketed +/-1 stop — and used Nik HDR Efex Pro to create very subtle (IMO) HDR images. Photoshop stitched them together nicely and I used several curves and saturation adjustment layers to tweak the final image.
I was headed to my trolley tour stop in Boston when I spotted this picture. Sun peeking from behind the building, moderate interest in the sky, sky and cloud reflections in the windows of the tall building, and dappled reflections of light in the short one. As I took the shot I got a bonus lens flare and guy crossing the street. It’s not an *amazing* scene, but pleasant enough IMO.
This is an HDR and naturally it bugs me that there’s a slight halo around that tall skyscraper. The thing is, that halo is present in the original exposures too. Despite the fact that there will be those who attribute the halo effect to “bad HDR”, I decided to leave it as is. For those of you interested in one method of fixing this (particularly in difficult, detailed scenes), see Dave Wilson’s handy tips here.
The bright portion of the street (and the guy walking across) were masked in from a single exposure. That exposure (fast shutter speed to freeze his motion somewhat) was tweaked a bit to match the scene as I saw fit. Given that it was a bright, sunny day I wanted it to still look “bright” and I wanted the portion of the street at the left to remain in shadow. One could argue that I should have used a slower shutter speed to show his motion but that’s simply a matter of personal preference — neither one is more correct than the other IMO. Various curves were masked in all over the place as usual.
This building, in the heart of downtown Boston amidst very modern skyscrapers, was once the home of Chadwick Lead Works (obviously). Given that it was built in 1887 it was amazing (and rather charming) to see it standing in a modern downtown area.
This shot is a panoramic stitch of five frames taken from the sidewalk across the street. I would shoot one frame then move down the sidewalk a bit to take the next shot. Having been stitched from several frames you can zoom in and see quite a bit of detail (click the image to get to flickr where you can view the larger size).
I recently posted this on Google+ but thought I’d share it here too.
It seems like the piano goes 24/7 in the house, which is a good thing when the music is Debussy, Beethoven Sonatas, incredible arrangements of the Pirates theme, beautifully improvised hymns, etc. Sometimes “The Little Indian Song” can wear on you though (a couple young ones are just starting out) 🙂
Having our own regrets about quitting music lessons and hearing so many others express those same regrets, we’ve always “made” our kids take piano lessons until they were 18 under pain of death and all that (for the record it’s never been a real problem to keep them going). They could learn other instruments too but piano was a must. Without exception our children (age 24 and down) have expressed great gratitude for our rigidness in this. I don’t believe any child actually kept up with lessons until age 18 but that was because proficiency, rather than an arbitrary timeframe, was our goal. All were quite good before age 18 and a couple even played in UT’s Bates Recital Hall. The daughter pictured here requested on her own to start lessons again even after we said she could be done — she enjoys it.
I’m posting another HDR that I processed in my Photomatix vs Nik HDR Efex Pro evaluation war. The subject here is the lobby of the St. Regis Hotel on the Hawaiian island of Kauai. There was a multi-level water feature (a bit of which you see in this image) which provided all sorts of reflections and begged to be turned into some HDRs. I didn’t have a tripod with me so I simply plopped the camera down on a ledge and fired of 9 bracket exposures in several locations. This limited my composition choices but I was able to get the main thing I was after — the reflections in the water. The hotel is situated in a beautiful spot on the island and commands a gorgeous view the mountains across a small bay. If I’d had a tripod I would have taken shots from other positions to include a nice view of the ocean and mountains through the windows.
In this case Photomatix was dramatically better for quickly coming up with a result I liked. The photo above is almost straight out of Photomatix — I only added some clarity/sharpening/noise reduction after that. Nik gave some interesting results but did a lousy job keeping the clouds outside from being blown out. Whenever I used the more realistic presets (realistic HDRs are generally my preference) the view out the windows was completely blown out. No doubt I could have figured out how to get an acceptable result but it was taking a lot of time to begin to match what I got out of the Photomatix effort.
You’ll note the large shift in color cast across the image. This was due to the prominence of daylight through the windows on the left side versus the interior tungsten lighting on the right. It bothered me at first but it’s more realistic this way so I decided to leave the color as-is.
Another quick one in this post…still really busy. The Cloud Gate sculpture in Chicago (aka “The Bean”) is just like a fun house mirror with infinite possibilities as far as my children are concerned. We took a lot of group/self portraits on our last visit to Millennium Park and I’m sure this won’t be the last one I post. I put this one through all sorts of tweaks in Lightroom in an attempt to highlight the subjects (us) and to bring out the various fingerprints, dirt, streaks, and distortion on the sculpture. I pulled the image into Photoshop and tweaked some colors here and there (to mute them a bit). I used Topaz Adjust to do some wild-ish things on a duplicate layer and blended that into most of the image at about 30% opacity. Finally I used selective (via masks) sharpening and noise reduction to touch it up.
On a recent evening I dropped my daughters off at the IMAX theater downtown and decided to poke around with the camera while waiting for them. I had in mind a particular shot of the Capitol (which is only a few blocks away from the IMAX). The planned shot was one of the Capitol’s reflection on another building. I had been inspired to get this planned shot after noticing the reflection on our drive home from the Texas Longhorn volleyball matches. In these drive-by glimpses it seemed like such a cool place for a shot, not so much in person though. It turned out not to be compelling at all and I never even put the camera up to my eye when I arrived at the spot.
While trekking around I noticed this a puddle in the parking lot above and decided to get some images of the Capitol in the reflection. While shooting a car approached at one point. I realized that if I stayed where I was the car would be forced to drive through the puddle, messing up my glassy reflection. So, I quickly grabbed the tripod and backed away to allow the car to go around the water. Turns out it was a security guard and I think I aroused his suspicions after grabbing my stuff and running off a bit. He quizzed me a bit but was satisfied that I was up to no harm and let me continue.
The shot above was a single exposure which was tweaked a bit in Lightroom. I shot this with several apertures — f/16 in hopes of awesome starbursts from the lights (f/22 was beyond my 30-second manual exposure, I did not have my remote along, and I was not going to hold my shutter button in bulb mode), f/2.8 in case I liked the bokeh of the background. I decided that I liked the background (parking lot) mostly in focus to make it clear what the scene was about.
The following shot started life as a 7-exposure HDR but I bet I masked in enough from the original exposures to make it more of a composite in the end.
Most people who like to do HDRs are suckers for reflections. I’m no exception and when my children and I walked into San Antonio’s Alamodome for the NCAA volleyball championship I saw these shiny floors and decided to fire off some brackets. I set up the camera to fire 3 brackets (the max on Canon) with the auto timer and set the camera on the floor. It would’ve been nearly impossible to change the settings without moving the camera so I didn’t even try. I took another set of brackets with more crowds in the picture but the motion was too great to process reasonably.
I ran this through Photomatix and then brought the tonemapped image into Photoshop along with the brightest exposure. I used a few adjustment layers on the bright exposure to semi-match it to what I wanted to fix — the people in the hallway and a few other areas where ghosting had caused some weirdness in the tonemapped image. After blending those areas in, I went to work on the result with a half-dozen other adjustment layers (mostly curves). There are some missing people-parts but I don’t really mind as it gives a sense of motion and the work to clone in new pieces wouldn’t be worth it.
I don’t ever get tired of beautiful sunrises…like this one I recently witnessed on the beach in Port Aransas, TX.
I used two versions of the same exposure to create the image above. One version used daylight white balance while the other used (nearly) a tungsten white balance. A gradient mask blended the two, keeping the golden light in the lower portion of the frame and gradually transitioning to the blue sky above. Four or five curves layers were used to touch up portions of the image and create a vignette. Some minor cloning/healing was done to get rid of some birds zipping across the screen and a few other tiny elements.