There’s something amazing about a building which is still standing after nearly 1000 years. This is St. John’s Chapel in the White Tower…in the Tower of London. This image is from 3 handheld exposures — part HDR, part composite. The dynamic range was extreme here with the dark shadows and the bright light streaming in the windows.
I’m posting another HDR that I processed in my Photomatix vs Nik HDR Efex Pro evaluation war. The subject here is the lobby of the St. Regis Hotel on the Hawaiian island of Kauai. There was a multi-level water feature (a bit of which you see in this image) which provided all sorts of reflections and begged to be turned into some HDRs. I didn’t have a tripod with me so I simply plopped the camera down on a ledge and fired of 9 bracket exposures in several locations. This limited my composition choices but I was able to get the main thing I was after — the reflections in the water. The hotel is situated in a beautiful spot on the island and commands a gorgeous view the mountains across a small bay. If I’d had a tripod I would have taken shots from other positions to include a nice view of the ocean and mountains through the windows.
In this case Photomatix was dramatically better for quickly coming up with a result I liked. The photo above is almost straight out of Photomatix — I only added some clarity/sharpening/noise reduction after that. Nik gave some interesting results but did a lousy job keeping the clouds outside from being blown out. Whenever I used the more realistic presets (realistic HDRs are generally my preference) the view out the windows was completely blown out. No doubt I could have figured out how to get an acceptable result but it was taking a lot of time to begin to match what I got out of the Photomatix effort.
You’ll note the large shift in color cast across the image. This was due to the prominence of daylight through the windows on the left side versus the interior tungsten lighting on the right. It bothered me at first but it’s more realistic this way so I decided to leave the color as-is.
Today I’m posting an HDR panorama of the Hanalei Valley in Kauai, Hawaii. The main crop in the valley is taro. I mentioned in another post that I rarely lugged the tripod around while out with the family but I did usually have it in the car. When we stopped at this lookout I went ahead and used to capture images for a pano of this valley. As you can clearly see the dynamic range was quite large, especially with the bright clouds. I quickly picked an exposure (using manual mode) and fired off 3 exposures per position. I didn’t want to hold the family up so I didn’t take the time to capture the whole dynamic range. As such, the clouds still are blown out in spots but it’s still a picture worth having from the trip.
I tonemapped each set of brackets using the same settings then used Photoshop to stitch them together. After that I simply tweaked the contrast. One obvious improvement would be to clone or crop out the branch sticking into the top left part of the frame but I haven’t yet taken the time…
I recently downloaded a trial version of Nik Software’s HDR Efex Pro. I’d been semi-disappointed in many HDRs I’d created in Photomatix and had heard many people say they’d made the switch to Nik. If you’re hoping for a complete review of Nik HDR Efex Pro I apologize in advance — I’m only going to give some impressions here.
First, a bit on Photomatix. It’s great software in many ways and I’ve used it to make many cool (IMO) images. However, in many of my HDRs of late I’ve ended up doing so much masking in Photoshop after tone mapping in Photomatix that I’m practically producing a composite of the original exposures. Photomatix often doesn’t handle motion to my liking — leaving way too much work to do afterwards. I’ll readily admit that it could be the user — I’m no wizard with Photomatix. It could also be that I’m getting pickier as time goes on. On the plus side, I find Photomatix to be much faster than Nik but I don’t process all that many HDRs so that’s not a huge factor.
I used Nik HDR Efex Pro to process all but one of the images in this post. For my own comparison purposes I processed another Hawaii coast photo — similar to the one at the top of this post — with Photomatix. It’s not completely apples-to-apples since I didn’t process the *same* photo but I ended up having to spend a ton of time in Photoshop fixing up the Photomatix image (basically ending up with a composite as I mentioned above).
As for the mechanics of using Nik HDR Efex Pro, it’s quite simple. In each of the images (5-ish?) that I’ve processed with it I’ve started out with a preset and tweaked from there. Of course I’m still learning all the sliders, etc. but I’m happy with it so far. I find the “control point” concept useful (it defines circles in which you can separately tweak portions of the image) but I would prefer that it worked more like the adjustment brush in Lightroom where you can choose exactly where the effects are applied. The final images here aren’t completely to my liking (some spots would get fixed if I were to spend more time on the images) but are illustrative enough for this post.
We’re having a great time in Hawaii. Scenes like the one above abound here on the island of Kauai. This shot was taken at Ke’e Beach which is at the end of the road on the north shore of Kauai. The land beyond is only accessible by trail, boat, or helicopter. Jurassic Park was filmed somewhere in those mountains so many of you have had a glimpse of what it’s like.
As much as I like to take (and process) photos, I *try* to limit it when on family vacations. We went all over the east and north shore the other day but I only dragged my tripod out of the car once. When we walked along Ke’e Beach I didn’t have a tripod so I put the camera down on some mossy rocks and used the timer to fire off 3 exposures. I didn’t quite eliminate the blown-out highlights in my exposures but I didn’t want to be a drag on the group and spend a bunch of time fooling with the camera. I used Photomatix to tonemap the exposures then Photoshop to play with some curves adjustments.
Remember Google Buzz? A few years ago a guy named Leo Teles shared some bracketed shots for folks to process into an HDR. I don’t have a link to the original images despite trying an image search on google but I linked to his photoblog above.
On my flight to San Francisco Monday I processed Leo’s brackets just for grins while taking a break from reading The Red Badge of Courage on my little iPhone screen…didn’t spend a ton of time on it. I did go for the ominous look — dark sky, deep shadows in the little nooks and crannies of the building.
Processing was started in Photomatix, then I did a series of curves adjustments in Photoshop to tweak “this and that”. Noise reduction was done on the sky and I selectively sharpened many areas. With more time (maybe on my flight back to Austin later this week???) I would spend time getting the whole sky to a more homogenous blue hue (making the whole sky dark). I would also balance out the exposure of the building — Photomatix makes the building itself rather “blotchy” for lack of a better word.
On a recent evening I dropped my daughters off at the IMAX theater downtown and decided to poke around with the camera while waiting for them. I had in mind a particular shot of the Capitol (which is only a few blocks away from the IMAX). The planned shot was one of the Capitol’s reflection on another building. I had been inspired to get this planned shot after noticing the reflection on our drive home from the Texas Longhorn volleyball matches. In these drive-by glimpses it seemed like such a cool place for a shot, not so much in person though. It turned out not to be compelling at all and I never even put the camera up to my eye when I arrived at the spot.
While trekking around I noticed this a puddle in the parking lot above and decided to get some images of the Capitol in the reflection. While shooting a car approached at one point. I realized that if I stayed where I was the car would be forced to drive through the puddle, messing up my glassy reflection. So, I quickly grabbed the tripod and backed away to allow the car to go around the water. Turns out it was a security guard and I think I aroused his suspicions after grabbing my stuff and running off a bit. He quizzed me a bit but was satisfied that I was up to no harm and let me continue.
The shot above was a single exposure which was tweaked a bit in Lightroom. I shot this with several apertures — f/16 in hopes of awesome starbursts from the lights (f/22 was beyond my 30-second manual exposure, I did not have my remote along, and I was not going to hold my shutter button in bulb mode), f/2.8 in case I liked the bokeh of the background. I decided that I liked the background (parking lot) mostly in focus to make it clear what the scene was about.
The following shot started life as a 7-exposure HDR but I bet I masked in enough from the original exposures to make it more of a composite in the end.
Each year my mom sends hand-made Christmas ornaments to family and friends. They are usually very intricate in both structure and painting. It’s a bit harder now with our large family size but ours are typically personalized with our first names painted on the ornament. She does exceptional work on crafts like this. We always encouraged her to make a business out of her various crafty things but she was never interested.
Before the tree came down this year I decided to grab quick shots of some of the ornaments. While the crafts stand on their own artistically I’ll throw out a few comments on how I shot them. First off, I didn’t light them except with the lights on the tree and the ambient (tungsten) light in the room. I used a tripod and bracketed the shots thinking that I might even do some HDRs given the large difference between the shadows and the lights on the tree. In the end the only HDR is shown at the top of the post…it’s just OK photographically IMO. I didn’t spend any time in Photoshop trying to make it better. I experimented with aperture. I didn’t get enough DOF with f/2.8 — even when considering only the ornaments and not the tree and lights. Using f/22 gave interesting starbursts in the lights of course but required either very long shutter speeds at low ISO or a higher ISO which I avoided since I was planning on HDRs. Of course I could use any shutter speed I wanted but I was simply too lazy to do manual exposures/bracketing above the 30 second maximum sans “bulb” mode. I didn’t want to do starburst HDRs that badly. So, I ended up processing individual frames with apertures ranging from f/6.3 to get some bokeh vs. f/22 to get the starburst effect. Lightroom was used for some simple adjustments — mainly clarity, contrast, sharpening, and vignette. A variety of combinations are posted here.
For purposes of scale here’s a (blurry) picture of the above ornament with a quarter held next to it. Other ornaments are shown below.
Most people who like to do HDRs are suckers for reflections. I’m no exception and when my children and I walked into San Antonio’s Alamodome for the NCAA volleyball championship I saw these shiny floors and decided to fire off some brackets. I set up the camera to fire 3 brackets (the max on Canon) with the auto timer and set the camera on the floor. It would’ve been nearly impossible to change the settings without moving the camera so I didn’t even try. I took another set of brackets with more crowds in the picture but the motion was too great to process reasonably.
I ran this through Photomatix and then brought the tonemapped image into Photoshop along with the brightest exposure. I used a few adjustment layers on the bright exposure to semi-match it to what I wanted to fix — the people in the hallway and a few other areas where ghosting had caused some weirdness in the tonemapped image. After blending those areas in, I went to work on the result with a half-dozen other adjustment layers (mostly curves). There are some missing people-parts but I don’t really mind as it gives a sense of motion and the work to clone in new pieces wouldn’t be worth it.
Busy, busy, busy these days and no time for (much) photography. Posting my own photographic reminder of where I need to focus first…