Last weekend in Orlando I shot my first wedding as the primary shooter and thought I’d share this picture of one of the bridesmaids (my daughter). I was fortunate enough to catch this candid moment as she walked down the aisle with this groomsman. It’s perfect IMO that she was looking at him when he did his little pointing gesture.
Some of the shooting situations were challenging as the ceremony was held in the afternoon as the sun set — the light constantly changed, the sun streaming through the trees caused a lot of mottled sun and shade (as seen in the photo above), the bridal party was a mix of very dark and light skin (see photo above again), the clothing was a mix of brilliant white and jet black which doesn’t leave a lot of latitude for exposure errors on either end (glad I wasn’t shooting film!), and there wasn’t a great choice for locations to shoot the bridal party.
Most of the pictures turned out quite nice. I’ve dealt with the skin color issue before — my own children are a mix of four ethnicities — so I was (somewhat) prepared to deal with it. With the changing light I couldn’t just get my settings dialed in once and fire away, but I knew to be careful about exposing the dark skin enough while avoided blowing out the exposure of the light skin. I also attempted to avoid blowing out the highlights on the white tuxes but was willing to give that up if necessary. The recovery slider in Lightroom was able to compensate for most of those highlights in the end. I used some amount of fill flash for most of the pictures — on-camera for the ceremony, off-camera for the bridal party pictures, and a mix of each for the reception.
Logistically there were many issues. I’ll spare you the boring details but we ran out of time to get all the bridal party pictures that we had listed (got the most important ones though). I didn’t have an official second shooter (but did have another photographer who agreed to capture the groom as the bride walked in, while I concentrated on the bride).
A sampling of things I learned while shooting this wedding: Shoot more (in some situations). In particular, when shooting groups of people during the ceremony, shoot enough to ensure that there are at least one or two frames where everyone looks good (in a pinch you can replace a head or two in Photoshop but that eats a lot of time). I ended up with some sets of group photos where I’m not certain I have an acceptable image due to someone looking “bad”. If shooting multiple cameras make sure the time stamps are in sync. This isn’t absolutely critical but makes things easier. I forgot to do this and things have been slightly painful when sorting in Lightroom. Positioning…too much to explain here (maybe will go thru them someday) but I learned that some of the positions I thought would be ideal for certain shots weren’t so ideal after all and I was forced to make do.
I’ve been very delinquent in taking the picture above — my youngest girls in their matching winter dresses. Between the baby’s sleeping schedule, weather, and that general “don’t feel like doing it now” feeling that we all get (wasn’t just me) we haven’t gotten these done. I took the day off today and I made it a definite to-do item for this morning when our infant (“Dolly” as we often call her) is usually happiest. We ended up pushing it a little — Dolly was ready for bed by the time we were done.
The usual caveats apply: I don’t like this or that, I’m not happy with the light (we waited too late in the morning), I don’t like the setting/background, and I’d change/fix/tweak many things. There wasn’t so much posing as there was “Hold her and look at the camera quick before she gets fussy”. However, my wife says: “I don’t care about the professional photo — I just want a picture of them together with their dresses so get it done”. It’s hard for me not to try to make everything as professional looking as I can, however meager my attempts may be.
Exposure was a bit tricky. The dark skin, light skin combination was challenging to balance (always takes some effort in our family pictures since we have four races and a wide range of skin tones). I chose to use no additional lighting — we just wanted to get this done and not fiddle with triggers, umbrella, and adjusting flash power. The sun was in and out of the clouds which affected the exposure dramatically. Ultimately I determined my exposure by metering Dolly’s light skin to avoid blowing it out (I shot in manual mode). For my taste we couldn’t go any brighter than you see above and we got sufficient exposure in the dark skin so we could make do. There were of course the usual difficulties in getting two children to look good at the same time. The littlest didn’t cooperate very well — she wasn’t a complete crank but wasn’t her usually smily self. In the end I ended up swapping a head to get them both looking good. I lightened the dark skin a bit more and tweaked the image with several curves, exposure, and saturation adjustment layers.
Stairway to nowhere…looks kind of eerie down there. HDR of an outdoor staircase in Snohomish, WA. One of many random(ish) shots I took while my wife was enjoying a massage in town. In keeping with my view that many HDR guys (and gals) go too far and bring out too much detail in the shadows, I tried to process just enough to give a sense of what’s down there without bringing it out completely.