Last weekend in Orlando I shot my first wedding as the primary shooter and thought I’d share this picture of one of the bridesmaids (my daughter). I was fortunate enough to catch this candid moment as she walked down the aisle with this groomsman. It’s perfect IMO that she was looking at him when he did his little pointing gesture.
Some of the shooting situations were challenging as the ceremony was held in the afternoon as the sun set — the light constantly changed, the sun streaming through the trees caused a lot of mottled sun and shade (as seen in the photo above), the bridal party was a mix of very dark and light skin (see photo above again), the clothing was a mix of brilliant white and jet black which doesn’t leave a lot of latitude for exposure errors on either end (glad I wasn’t shooting film!), and there wasn’t a great choice for locations to shoot the bridal party.
Most of the pictures turned out quite nice. I’ve dealt with the skin color issue before — my own children are a mix of four ethnicities — so I was (somewhat) prepared to deal with it. With the changing light I couldn’t just get my settings dialed in once and fire away, but I knew to be careful about exposing the dark skin enough while avoided blowing out the exposure of the light skin. I also attempted to avoid blowing out the highlights on the white tuxes but was willing to give that up if necessary. The recovery slider in Lightroom was able to compensate for most of those highlights in the end. I used some amount of fill flash for most of the pictures — on-camera for the ceremony, off-camera for the bridal party pictures, and a mix of each for the reception.
Logistically there were many issues. I’ll spare you the boring details but we ran out of time to get all the bridal party pictures that we had listed (got the most important ones though). I didn’t have an official second shooter (but did have another photographer who agreed to capture the groom as the bride walked in, while I concentrated on the bride).
A sampling of things I learned while shooting this wedding: Shoot more (in some situations). In particular, when shooting groups of people during the ceremony, shoot enough to ensure that there are at least one or two frames where everyone looks good (in a pinch you can replace a head or two in Photoshop but that eats a lot of time). I ended up with some sets of group photos where I’m not certain I have an acceptable image due to someone looking “bad”. If shooting multiple cameras make sure the time stamps are in sync. This isn’t absolutely critical but makes things easier. I forgot to do this and things have been slightly painful when sorting in Lightroom. Positioning…too much to explain here (maybe will go thru them someday) but I learned that some of the positions I thought would be ideal for certain shots weren’t so ideal after all and I was forced to make do.
We had yet another perfect weather day here in Texas — it’s been an awesome fall. The middle of November and it was somewhere around 80 degrees. The morning was a crisp 60-ish which was perfect for a run. Despite not having the same type of seasons as we did where I grew up in the Midwest, I still think of fall or autumn in the same way and it still reminds me of fall colors (we get a *little* of that) and fall decorations.
My mom is a master of outdoor gardening and decoration. The picture above shows a typical decoration she would make for the house. This one adorned her outdoor shed. Others like it were mixed in with all the decorations around her house.
Going for the extreme bokeh (love the colors in this photo) I used my 50mm lens at f/1.4. The focus distance was relatively close which adds to the effect. Often the bokeh in shots with the 50mm (the Canon f1.8 and f/1.4 at least) can be a bit ragged for lack of a better term. In other words it doesn’t usually come out silky smooth like you’d get with a 70-200mm lens at f/2.8. However, it turned out pretty good here.
A recent picture of two of my girls strolling in Seattle’s Pike Place Market. Looking forward to getting back to Seattle soon.
I loved the contrast between the blues in the windows and the oranges/yellows in the flowers in the next shot.
I liked the possibilities in the next shot but didn’t execute it very well. The water and buildings made a cool backdrop through the windows IMO. I used manual mode and stopped down to f/14 to get a lot of depth of field and used a shutter speed fast enough for my shaky handholding yet slow enough for flash. It was a dark place relative to all the light streaming in the windows so flash was a must if I was going to keep the rainy mood in the background. I had no way to get the flash off-camera and bouncing didn’t work well so it’s not a lot better than a point-and-shoot. I’m sure I could have improved it with some effort but I didn’t want to stretch the girls’ patience too thin.
When I sat down at the dinner table this evening I found this grin staring at me. How could I not get the camera out? I used my Canon 5D mkii with the 70-200mm f/2.8 — shooting wide open to blur the window frames and scenery outside as much as possible. I bounced a flash off the wall behind me. There was no posing, very little attention to what was in the frame, and only minimal attention to composition. I spent most of my efforts on catching my daughter’s eyes in focus. With the shallow DOF and my daughter’s constant motion it was tough and I missed it a lot. How could I not love the pictures anyway? I took 60-70 shots and ended up with quite a few keepers.
Editing was all done in Lightroom — white balance, slight crops, exposure, contrast, vignette, and a tad bit of noise reduction. I did none of the typical overdone baby skin stuff. In fact, I did no “retouching” at all (it would have been a lot of work to fix all those healing chicken pox marks anyway). No skin edits, no eye enhancements. They are cute enough the way they are 🙂
I shot this on a hike in Montana this summer. Initially I just thought it would make a nice shot with a blurred background — usual stuff. However, when I started shooting it I realized that no matter what I focused on within this “flower” it still appeared out of focus somewhat. There’s so much going on in there that the shallow depth of field blurs out the rest. I kind of like how it sort of has a focal point, yet sort of doesn’t.
Just for grins, another shot from the hike:
These bees are hanging on tightly to this windblown flower on the bank of the Stillwater River in Nye, Montana. The shimmering river provides some nice highlights in the bokeh. The earthy tones in the background also contrast nicely (IMO) with the brightly colored flower.
Processing: A couple selectively masked curves (including the vignette). Selective sharpening here and there. Noise reduction on the background just to add to the creamy look.
For various reasons I couldn’t decide what crop I liked best. Opinions – above or below? The top is my favorite but I’m not overly keen on how the leaves are cut by the frame.
Last month some of my family attended the wedding of my niece Jessica in Seattle. We would love to take the whole family to events like that but it’s just not practical in our case. The weather was what one might expect in Seattle — highs around 50 and wet.
I was asked to do some photography during the times when the paid photographer wasn’t around — rehearsal, early wedding morning — and grab a few extra pics at the reception. I had just acquired a Canon 5D Mark ii the day before we traveled and I got to try out its capabilities over the weekend. It has amazing low-light performance and I took full advantage of that.
Here are some pics from the weekend (here’s a link to one I already posted of the rings resting in the flowers). Some are just OK from a technical standpoint but are personally meaningful or interesting to our family.
The shot below was meant to focus on the ring (and it does) but it isn’t the greatest shot. However, I still like the general feel of it — soft light, very shallow depth of field so I included it. It was taken in passing as I wasn’t focused on taking pictures at that point. I’d love to have that opportunity again though. I’d get the ring hand fully in the shot, shoot from slightly higher to entirely fill the background with Jessica’s to-do list on the poster board while keeping the nail polish bottle fully in the frame as in this shot.
Some pics from the rehearsal:
The wedding coordinator was concerned that the main photog wouldn’t arrive at the house early enough to get pictures of the miscellany like the rings, flower, shoes, etc. so she asked me to get some shots. Here are a few I came away with besides the ring shot:
Pre-wedding pictures in church:
After the ceremony the wedding coordinator again commandeered me for a photo assignment. The hired photog was covering the bride and groom’s trip through the receiving line from a vantage point near the church doors. I was asked to cover near the end of the line and I’m glad I did — look at how happy they are!
During the reception I didn’t capture all that many shots but here are a few. Light was challenging in the reception hall. Bouncing flash was not that great (note the black ceilings) and I didn’t have 3 remote flashes on stands like the hired photog did. I still like the shots even with some of the shadows. I take comfort in knowing that there wasn’t a whole lot to be done without setting up extra lighting myself. I just kept a diffuser on the flash and pointed the flash either up and slightly forward or up and slightly behind me. As the night was winding down, Jessica asked me to take a picture of her with the bridesmaids up near the dance floor. I like how the light ended up just fine with the exception of how everyone’s hair disappears into the background. I didn’t have a second light to overcome that. When we walked to the front and lined up everyone and their brother got cameras out and started firing. Getting all the girls to look at me rather than the other cameras was a bit like herding cats. None of the shots had everyone looking normal so I just picked the best of the bunch.
A candid of my beautiful wife. When she finds out her picture is here I’ll probably be in trouble. She never reads my posts so please — none of you go telling her. She never needs to know 🙂
The main photog had already left the reception when Jessica and Jonathan were making their exit so once again the coordinator asked me to take shots. I had the 50mm lens on and there was no time to fetch my 24-70 or really test out the flash to adjust compensation. I’d prefer a little different framing but I was zoomed out (with my feet) as far back as I could get and I wanted to catch some of the flag waving too. I got off 4 frames as they walked out and they capture the moment just fine. There was very heavy tungsten lighting in this little hallway. My flash was gel’ed with a 1/4 CTO and I could get away with cooling the color temperature more but I decided not to eliminate it completely. It’s a dilemma I often struggle with — Whether to keep some of that uncorrected color in certain shots. It can be a nice effect sometimes.
Jonathan and Jessica (my niece) got married in Seattle this past weekend. The flowers were going to be unavailable before the hired photographer was scheduled to arrive (I don’t remember where the flowers were headed…). The wedding coordinator asked me to grab some pics so I placed the rings on this rose and snapped away with my 50mm lens.
I also took pictures of the bride at various stages of getting ready, at the ceremony, and at the reception but I’m not going to post any of those because she may want other pictures to go public first.
When we were at the wedding rehearsal I snapped this shot of the entrance of Queen Anne Baptist Church. A single exposure was used for most of the image but I masked in a darker exposure for the lamps (blown out in the normal exposure). I was asked to shoot pictures of the rehearsal itself and while it felt a little awkward (acting like a wedding photographer during the rehearsal) I was doing it at the bride’s request. Fortunately I was able to get some decent pictures both of the actual rehearsal and of our various family members who were there.
Congratulations to the happy couple!
While out running in our neighborhood last week I witnessed an awesome sunrise. There were low, fast-moving clouds on the eastern horizon which made for lots of color as the sun came up. I wasn’t carrying my camera of course so I couldn’t capture this particular event. The next morning I noticed that there were a few clouds on the horizon again as the sun was rising so I popped out of the house with the camera — the first time in weeks I’ve been out to shoot anything at all. I captured only two scenes (several bracketed exposures of each though).
I initially started out to make a simple HDR with 6 exposures (-4 through +1 in single-stop increments) so I did the usual tonemapping in Photomatix, then brought that into CS4 with some original exposures. I replaced the sky — not for noise reasons but rather due to the blur that had been introduced by the fast-moving clouds. After that, I did some of the usual curves/levels/sharpness and was “finished”. I liked it OK…the lens flare was cool, sunburst was nice…I would enjoy seeing it pop up on my desktop screensaver for sure.
On a whim I started playing around with some textures. I only had 5-6 textures on-hand and wasn’t willing to spend a bunch of time searching for others. Long story made short, I ended up using a canvas texture and another random, blotchy texture. Most of my experimentation involved trying out different layer blending modes and opacities. I used “linear light” for one texture and overlay for the other. I offer you my free texture tutorial: “Play around until you like something”.
I also over-saturated the colors somewhat. I don’t normally add any saturation but I thought it fit the painterly effect I was going for.
When I witness a scene like this I can’t help but think of how amazing God’s creation is. My kids and thought Ps 113:3 fit this one: “From the rising of the sun to its setting, the name of the Lord is to be praised!”.