I was headed to my trolley tour stop in Boston when I spotted this picture. Sun peeking from behind the building, moderate interest in the sky, sky and cloud reflections in the windows of the tall building, and dappled reflections of light in the short one. As I took the shot I got a bonus lens flare and guy crossing the street. It’s not an *amazing* scene, but pleasant enough IMO.
This is an HDR and naturally it bugs me that there’s a slight halo around that tall skyscraper. The thing is, that halo is present in the original exposures too. Despite the fact that there will be those who attribute the halo effect to “bad HDR”, I decided to leave it as is. For those of you interested in one method of fixing this (particularly in difficult, detailed scenes), see Dave Wilson’s handy tips here.
The bright portion of the street (and the guy walking across) were masked in from a single exposure. That exposure (fast shutter speed to freeze his motion somewhat) was tweaked a bit to match the scene as I saw fit. Given that it was a bright, sunny day I wanted it to still look “bright” and I wanted the portion of the street at the left to remain in shadow. One could argue that I should have used a slower shutter speed to show his motion but that’s simply a matter of personal preference — neither one is more correct than the other IMO. Various curves were masked in all over the place as usual.
In my last post I extolled the virtues of my Canon 70-200 f2/8 L IS lens. Today I’ll point out one of the few positive things about my old Sigma 18-200 non-IS (or whatever Sigma calls their stabilization). What is that virtue? It’s so old and worn out that I don’t mind setting it down in a puddle in the middle of the Champs Elysee in Paris on a rainy night.
I ran out to the little bitty concrete island in the middle of the street and set the camera on the ground for some shots while traffic zoomed by. I added my folded-up camera strap under the lens to adjust the framing (I couldn’t look through the viewfinder b/c the camera was sitting right in front of a pole…and I didn’t want to get wet anyway). With a tripod and more time I would have framed this shot a little differently but I like it well enough. The water on the lens adds a nice effect too. Post-processing mostly amounted to the “punch” develop preset in Lightroom and some “recovery” slider action.
My not-quite-10-minute excursion to this concrete island was pretty much the extent of my “doing photography stuff” when I was with my wife during our Paris trip (I took one short photowalk while she was crashed in the hotel one evening). It was kind of nice not feeling the pressure of trying to work every shot, find the best angles, etc.
Did I mention we had an awesome time in Paris???