I recently posted this on Google+ but thought I’d share it here too.
It seems like the piano goes 24/7 in the house, which is a good thing when the music is Debussy, Beethoven Sonatas, incredible arrangements of the Pirates theme, beautifully improvised hymns, etc. Sometimes “The Little Indian Song” can wear on you though (a couple young ones are just starting out) 🙂
Having our own regrets about quitting music lessons and hearing so many others express those same regrets, we’ve always “made” our kids take piano lessons until they were 18 under pain of death and all that (for the record it’s never been a real problem to keep them going). They could learn other instruments too but piano was a must. Without exception our children (age 24 and down) have expressed great gratitude for our rigidness in this. I don’t believe any child actually kept up with lessons until age 18 but that was because proficiency, rather than an arbitrary timeframe, was our goal. All were quite good before age 18 and a couple even played in UT’s Bates Recital Hall. The daughter pictured here requested on her own to start lessons again even after we said she could be done — she enjoys it.
My daughter and I were on a walk in downtown Austin today and ran across this shattered glass in a door. I snapped a shot of my reflected portrait. I had a mind to see what I could bring out of it using Photoshop’s curves layers. I knew from past experience that curves could do some cool stuff to images like this.
The images at the bottom of the post were taken inside the decommissioned Seaholm Power Plant in Austin (posts about that here and here and here). The blown-out spots in the original image are from bright daylight coming in through windows on the opposite side of the building. Inspired by David Nightingale’s tutorials on creating dramatic images, I experimented with all sorts of wacky curves and masks. With some of those wacky curves adjustments the blown-out spots really created problems so in the end I just cropped them out. The final image is rather abstract — the hand is obvious but the camera, tripod, and my body are there but not completely obvious. There are a few issues (knuckles on the hand for example) but it’s fun nonetheless.
Back to the images at the top of the post. You may already know that curves adjustments can cause a color shift depending on the blend mode of the layer. I took advantage of this to bring out a bunch of color in this image. It would have been nice if I’d been wearing something other than a black jacket but I didn’t exactly plan this in advance. The adjustments on this image were just a strong s-curve and a combination of curves which lightened/darkened the midtones — all in normal blend mode and masked a bit here and there. Some selective sharpening, noise reduction, and a small bit of overall saturation were added.
Posting a couple HDRs from the recent HDR Mafia photo shoot at Seaholm Power Plant. This door was at the top of a stairwell where I had hoped to gain access to the crane in the main turbine room. The crane door was locked as was this door which would have provided roof access. Fortunately we had access to the roof via other means but we never did get access to the crane.
Both images were tonemapped in Photomatix (6-7 exposures…don’t remember) then processed mostly via curves in Photoshop. I probably could have used only two exposures and gotten all the image information but I didn’t bother playing with that. The black and white version was simply a matter of adding a B+W adjustment layer to the image and tweaking the red and yellow adjustment. The color image used a series of masked curves, some of which were only applied to the red and/or blue channels. The lighting was actually relatively flat in the original exposures and I used curves to bring out the shadows more. The starburst in the keyhole was obtained by using an aperture of f/22.
I’m not sure whether I like the color or B+W version better.
Quick post tonight…
Today at lunch I joined Pete Talke, Steve Wampler, and Alex Suarez for a photo shoot in downtown Austin with a model named Tiffany. We took turns shooting pics and holding lights and reflectors. Tiffany was very easy to work with and we all got some great shots.
We started out in front of some cool doors on Colorado Street and in the course of an hour only moved a total of fifty feet. Next door to these doors is the entrance of a new bar called TenOak (the grand opening is tonight) — an entrance with another set of cool doors. We had been shooting for a while in front of the doors when one of the bar owners popped out and invited us to shoot inside if we’d send him some of the pics. Very cool…had the whole place to ourselves and he graciously encouraged us to shoot anywhere inside.
Rather than show pics of Tiffany just now, I thought I’d post a few environmental shots from our little shoot. Sometimes we all get so busy shooting that we forget to step back and grab some shots of the whole scene. I snapped a few shots of the group when we were out on the sidewalk and just before I had to take off I grabbed some bracketed shots in the bar with HDRs in mind. I didn’t have time to be very thoughtful about my compositions so bear with me. The image at the top shows a view of the bar with Tiffany posing on the bar itself (far side). Pete’s flash is on the bar at the right edge of the frame. He got some very cool shots with Tiffany’s reflection in the frame along with her (watch his blog — maybe he’ll post a couple).
The shot below is another view of the place and if you look carefully you’ll see Tiffany posing beneath the “E” in the “ELIXIR” sign.
Simple processing on both images: Photomatix, quick masking from original exposures, tweaks in Lightroom.
There’s something mysterious behind that door. Through the translucent window it appears that someone is going to pop out at any moment. Or maybe there’s a crime being committed — it’s a perfect doorway in which to film a Hollywood crime scene.
This photo was taken last spring in Paris in the general area of Rue Cler (I can’t remember exactly where except that it was between Rue Cler and Champ de Mars). On every street there were very cool doorways like this and I could have filled an entire memory card with pics of them. Add a model to this scene and you could do an entire photoshoot. The architecture in Paris was absolutely amazing. Ranging from huge structures like the Louvre to “simple” doorways like this there is seemingly no end to these displays of design and craftsmanship. So cool.
Processing of this image was very simple — basic curves adjustment, slight vignette, clarity, and vibrance adjustment — all done in Lightroom.