My family and I try to get to downtown Chicago every year and we almost always visit the Cloud Gate (aka “The Bean”) in Millennium Park. We take goofy pictures in the reflections and pictures of other people taking goofy pictures of themselves. The shot above was taken at the end of our last visit to Chicago. It was cold and rainy but we were prepared with jackets, umbrellas, and a rain cover for the camera bag. The forecast for the day was sunny and warm early, turning to cold and rainy in the afternoon and for once the weatherman was completely correct. The shots below were only taken 5-ish hours earlier in the day. I liked how the blown-out sky and top of the bean blend together in the last shot. Someday I’ll get through all the photos and post some of the goofy ones.
This building, in the heart of downtown Boston amidst very modern skyscrapers, was once the home of Chadwick Lead Works (obviously). Given that it was built in 1887 it was amazing (and rather charming) to see it standing in a modern downtown area.
This shot is a panoramic stitch of five frames taken from the sidewalk across the street. I would shoot one frame then move down the sidewalk a bit to take the next shot. Having been stitched from several frames you can zoom in and see quite a bit of detail (click the image to get to flickr where you can view the larger size).
My daughters and I went to downtown Seattle today to hang out and on the way we stopped in Kerry Park (thanks, Jim Nix for suggesting it). I had low expectations regarding the weather but did hope to grab a skyline panorama in any case. Long story short, the rains came and other visitors got in the way somewhat so all I managed was the quick, handheld bokeh panorama (from 16 frames) shown above. I look at it as making lemonade out of lemons — we did what we could given the conditions. I gave up on my plans for a high-res (zoomed in and in-focus) panorama since the rain was hard and blowing directly on to the lens. We headed to lunch at Pike Place Market and afterward the clouds broke and the sun peeked out. We headed back to Kerry Park on our way back home but by the time we got there it was raining hard again — could barely even see across the water. I didn’t bother trying any more photos. I may try some black and white treatments with this one someday…
My wife, myself, and two other couples visited the Oklahoma City National Memorial last night. We had been told that it had the most impact at night so after dark we took the walk from OKC’s Bricktown to the memorial. We chatted loudly as we walked the streets but naturally became somber and hushed in tone as we arrived at the city block where the bombing occurred.
Our entrance was through a 4-story tall bronze “gate” which led to a 1″ deep reflecting pool which replaced the street along which the Alfred P. Murrah Federal Building once stood. There was a bronze gate at the other end of the pool as well.
Shortly after our arrival we were approached by Tucker, one of the National Park Service employees. He was quite friendly and asked if we had any questions so one of our company asked him to explain the various pieces of symbolism contained in the memorial. Tucker did a fantastic job explaining the memorial with great enthusiasm — I will be writing the park service to commend him. As I recall there were 8 major elements in the memorial. The bronze “Gates of Time” represented the minute before the life-changing event. One gate is marked “9:01” — one minute of innocence before the blast. The other gate is labeled “9:03” to mark the first minute into the healing process after the blast. The reflecting pool is there to allow one to look into it and see a life forever changed by what happened.
The “Field of Empty Chairs” was the most significant part of the memorial to me. The field itself is the footprint of the former building. Each chair has the name of a victim and is placed in such a way as to indicate the floor of the building where the person was killed. I attempted some pictures — all I had was a basic point-and-shoot camera — but none are good enough to post .
Other symbols included the Survivor Wall, Survivor Tree, Rescuers’ Orchard, Children’s Area, and the Fence. Tucker explained each one and even gave us insight into why the memorial’s designers chose to represent things as they did. However, I’ll leave it to you to read about these on the internet if you are interested.
Despite the poor quality of the night-time point-and-shoot pictures I decided to post them anyway and I encourage each of you to take a bit of time to remember the victims of this horrible tragedy. We marked our remembrance by doing something Tucker suggested. We dipped our hands in the reflecting pool and placed them on the bronze gates for a few seconds. This leaves a lasting hand print on the bronze — a lasting mark of our visit.
(Many years ago) I was born on the south side of the Windy City in the Roseland neighborhood. My family moved to the south suburbs when I was pretty young, then out to a rural area (still close to the city) in high school. I went to lots of Blackhawks games in Chicago Stadium, Sox (and Sting) games at Comiskey Park, and even managed one Cubs game at Wrigley. Incidentally, I never made it to a Bears game — haven’t ever been to a pro football game to this day.
I remember watching Stan Mikita, Pit Martin, and Keith Magnuson play for the Hawks. I loved Sox players like Chet Lemon (when I was really young), Harold Baines, and Carlton Fisk. I had a home run ball hit by Brian Downing back in the 70’s. I wasn’t actually at the game and honestly don’t remember if he played for the Sox or the Angels at the time. I was at the 1983 game where the Sox *could have* clinched the division but they needed a win or loss from someone else so they didn’t clinch until the following night…something like that. I watched every game of the Bears run up to the Super Bowl in 1985 — what a fun season. I practically worshipped Karl-Heinz Granitza of the Chicago Sting.
I wasn’t big into autographs but I had Harold Baines, Walter Payton (got that one at the auto show in McCormick Place), and Johnny Morris (got his in the stands at Comiskey Park the same day I got Baines’).
Although I now live in Texas, the rest of my family still lives in the Chicago area and downtown Chicago is pretty much a yearly destination for our family. We take the Metra in to the Randolph station from the south side, walk the streets, and take in whatever attractions we feel like that visit. The kids love it. I haven’t visited since really getting into photography but I’m really looking forward to it. [Side note: One member of the family lives in Milwaukee but we Chicagoans simply consider that a suburb…those of you from Chicago appreciate this I’m sure]
The picture above was taken as my wife and I were landing at O’Hare en route to Paris. I grabbed the camera a bit late and missed some better shots but I’m still pleased with this one — reminds me of home.
Practice makes perfect as they say. The shot above — which is by no means perfect — was the result of some practice attempts to capture the motion of an Austin Capitol Metro bus as it sped up South Congress Ave toward downtown. I was taking a photo workshop and the main purpose in taking this shot (and a whole series of others like it) was to get better at capturing a subject going by and get it in focus. Of course there were many other considerations like exposure, etc but mainly I wanted to practice the setup and the panning (handheld) of the camera.
I was using “Raul’s Rules for Motion” as I’ve taken to calling them. A few hours before this shot was taken, Raul Touzon had explained to our photo workshop his method for doing shots like this. Here are his rules:
1) 1/15s (or slower) shutter speed
2) Multi-frame mode
3) Pre-focus on subject’s path and turn off auto-focus
4) Shoot perpendicularly to the subject’s motion (ie the line between you and the pre-determined focus point is perpendicular to the subject’s travel path)
5) Follow the subject to get in a rhythm (lock onto its motion) and start shooting before it reaches the point you focused on
For the workshop critique we had to present images straight out of the camera but here I’m showing one post-edit. I played with all sorts of tweaks and settled on this treatment. Here’s basically what I did (all using Lightroom): B+W…some vignette, mild clarity and contrast adjustments, and used the adjustment brush to add a bunch of contrast and clarity to the bus. I added extra clarity to the cross walk lines to highlight them a bit as well. There are some weird streaks in the top of the image — maybe a bird in the frame? Not sure, but it adds to the mystery of all the background blur.
This shot didn’t have perfect execution — I would prefer that the bus was a bit sharper — but I like it anyway. I like the how the cross walk lines lead to the bus and how the circular motion can be seen in the street in the foreground — exaggerated by the 15mm focal length that was used. The bus stands out just like it is supposed to as well. I’ll certainly experiment with this type of shot again.
Other posts (from me) about Raul Touzon’s workshops: https://michaeltuuk.wordpress.com/2010/04/27/my-first-photo-workshop-experience/, https://michaeltuuk.wordpress.com/2011/03/01/raul-touzons-portable-sun-workshop/, https://michaeltuuk.wordpress.com/2010/09/15/zipping-by/
Thought I’d share a couple more night shots from the recent photowalk with Alex Suarez & Co in downtown Austin. Both shots are 3-exposure HDRs. The shot above shot is on 6th St. and shows a typical stretch of the club district before any crowd developed. The shot below shows the intersection of 6th and Congress from the vantage point of the parking garage.
I processed both of these mostly as an exercise in improving my work with night scenes. Even though I had abandoned tonemapping for some of my recent night shots, I found it to work reasonably well for both of these images. In truth, the main “skill” I learned was patience. Each image had to be worked on little-by-little in order to properly bring out certain details. Sometimes the original exposures needed processing to make them suitable for blending with the tonemapped layer. The skies needed to be masked in, noise needed some reduction (and then some masking to keep detail where necessary). I had to determine how I wanted to show the traffic (mostly still-ish or really bookin’?) — and then had to work to execute on what I decided. Lots of work around some of the lights…I spent a fair amount of time on these images, but it was enjoyable.
On a side note, while I processed these images I “watched” (half watched, half listened) some episodes of Foyle’s War. Look it up on the net. Really great show (available on Netflix).
Let me know how you like the images…or Foyle’s War.