Last Saturday Pete Talke and I helped shoot a wedding held at a ranch outside of Austin. The only shots I posed were some of the groomsmen getting ready and the boots on the stairs shown below. I mainly concentrated on getting candids throughout the night. I’ve posted a few which I feel sufficiently captured the Texas nature of the event…
The lighting was very tough. It was late evening so there was direct sunlight from one side as the sun neared the horizon. If you weren’t careful you ended up with one half of a face being blown out while the shadow side barely had any detail. Girls with blonde hair were particularly difficult — easy to lose all detail in the hair. Pete and I both chose to shoot in mostly in manual mode so the camera’s metering didn’t go all squirrelly with the lighting and we squeezed off a few test shots to make sure we weren’t losing any (important) details and adjusted as the light changed.
[Random note: I’m posting this from the HP laptop which my company purchased for me…I’m very sorry for all of you who always have to use monitors which are this bad. My pictures (and all of yours) look terrible on this thing.]
The wedding was standing room only. These guys were standing in back and I asked them to stand together to frame the bride and groom.
After the bridesmaids were finished with their formal portraits I asked them to pose on the steps. The sun was just setting, providing a perfect, golden light. They were relieved that I was only taking pictures of the boots — no need to smile or keep their eyes open in the sunlight.
Jonathan and Jessica (my niece) got married in Seattle this past weekend. The flowers were going to be unavailable before the hired photographer was scheduled to arrive (I don’t remember where the flowers were headed…). The wedding coordinator asked me to grab some pics so I placed the rings on this rose and snapped away with my 50mm lens.
I also took pictures of the bride at various stages of getting ready, at the ceremony, and at the reception but I’m not going to post any of those because she may want other pictures to go public first.
When we were at the wedding rehearsal I snapped this shot of the entrance of Queen Anne Baptist Church. A single exposure was used for most of the image but I masked in a darker exposure for the lamps (blown out in the normal exposure). I was asked to shoot pictures of the rehearsal itself and while it felt a little awkward (acting like a wedding photographer during the rehearsal) I was doing it at the bride’s request. Fortunately I was able to get some decent pictures both of the actual rehearsal and of our various family members who were there.
Congratulations to the happy couple!
I got to second-shoot my nephew’s wedding in Seattle a few weeks ago. Since I wasn’t responsible for the primary set of photos I spent my time experimenting and attempting to get some unique images. When the main photographer was using a normal lens, I mostly used my 10-20mm or my 70-200mm. If she was using a telephoto, I typically went normal or wide, etc. My goal was to capture things from a different angle (literally and figuratively) and get a different perspective on this blessed event.
For the shot at the top of the post I used my 10-20mm from about a foot off the ground. This was the bride and groom’s first dance and I shot the whole thing from that angle.
The shot below of the groom and his mother (my sister-in-law) was taken with a focal length of 200mm. It was tough getting this shot framed when zoomed in this tight on a moving couple. However, since the main photog was getting the normal shots I just went with it and hoped it worked.
As it got darker, things got tough. There was almost no light where the dancing was taking place. I shot with my widest aperture (f3.5 on the 10-20mm I used for most of these shots), bumped the ISO up, and then dragged the shutter a lot to get at least some ambient light from the background [I could write a whole post on how I played with flash/ISO/shutter/etc]. Here’s a shot from the dance floor well after dark:
I had a great time, and while I certainly had to cull many images from the set, I ended up with many good images for the bride and groom to enjoy the rest of their lives.