Last weekend in Orlando I shot my first wedding as the primary shooter and thought I’d share this picture of one of the bridesmaids (my daughter). I was fortunate enough to catch this candid moment as she walked down the aisle with this groomsman. It’s perfect IMO that she was looking at him when he did his little pointing gesture.
Some of the shooting situations were challenging as the ceremony was held in the afternoon as the sun set — the light constantly changed, the sun streaming through the trees caused a lot of mottled sun and shade (as seen in the photo above), the bridal party was a mix of very dark and light skin (see photo above again), the clothing was a mix of brilliant white and jet black which doesn’t leave a lot of latitude for exposure errors on either end (glad I wasn’t shooting film!), and there wasn’t a great choice for locations to shoot the bridal party.
Most of the pictures turned out quite nice. I’ve dealt with the skin color issue before — my own children are a mix of four ethnicities — so I was (somewhat) prepared to deal with it. With the changing light I couldn’t just get my settings dialed in once and fire away, but I knew to be careful about exposing the dark skin enough while avoided blowing out the exposure of the light skin. I also attempted to avoid blowing out the highlights on the white tuxes but was willing to give that up if necessary. The recovery slider in Lightroom was able to compensate for most of those highlights in the end. I used some amount of fill flash for most of the pictures — on-camera for the ceremony, off-camera for the bridal party pictures, and a mix of each for the reception.
Logistically there were many issues. I’ll spare you the boring details but we ran out of time to get all the bridal party pictures that we had listed (got the most important ones though). I didn’t have an official second shooter (but did have another photographer who agreed to capture the groom as the bride walked in, while I concentrated on the bride).
A sampling of things I learned while shooting this wedding: Shoot more (in some situations). In particular, when shooting groups of people during the ceremony, shoot enough to ensure that there are at least one or two frames where everyone looks good (in a pinch you can replace a head or two in Photoshop but that eats a lot of time). I ended up with some sets of group photos where I’m not certain I have an acceptable image due to someone looking “bad”. If shooting multiple cameras make sure the time stamps are in sync. This isn’t absolutely critical but makes things easier. I forgot to do this and things have been slightly painful when sorting in Lightroom. Positioning…too much to explain here (maybe will go thru them someday) but I learned that some of the positions I thought would be ideal for certain shots weren’t so ideal after all and I was forced to make do.
Last Saturday Pete Talke and I helped shoot a wedding held at a ranch outside of Austin. The only shots I posed were some of the groomsmen getting ready and the boots on the stairs shown below. I mainly concentrated on getting candids throughout the night. I’ve posted a few which I feel sufficiently captured the Texas nature of the event…
The lighting was very tough. It was late evening so there was direct sunlight from one side as the sun neared the horizon. If you weren’t careful you ended up with one half of a face being blown out while the shadow side barely had any detail. Girls with blonde hair were particularly difficult — easy to lose all detail in the hair. Pete and I both chose to shoot in mostly in manual mode so the camera’s metering didn’t go all squirrelly with the lighting and we squeezed off a few test shots to make sure we weren’t losing any (important) details and adjusted as the light changed.
[Random note: I'm posting this from the HP laptop which my company purchased for me...I'm very sorry for all of you who always have to use monitors which are this bad. My pictures (and all of yours) look terrible on this thing.]
The wedding was standing room only. These guys were standing in back and I asked them to stand together to frame the bride and groom.
After the bridesmaids were finished with their formal portraits I asked them to pose on the steps. The sun was just setting, providing a perfect, golden light. They were relieved that I was only taking pictures of the boots — no need to smile or keep their eyes open in the sunlight.